Being a Good Leader Essay -- leader, leadership

Leadership is a term on which no one can develop a mutual consensus as it carries a different meaning for ach individual. Some people may consider a person as their leader who is capable of taking them away from hardships, some people may consider the one as their leader who is quite charismatic and can show them dreams of a bright future or some people may consider that man as a leader who can make them progress by devising wise strategies for them etc. There is, somehow, something very common in all the perspectives that are the philosophy behind the definition, which is related to choosing a best of the best person as their leader. Nobody wants to have a person as his leader who doesn’t have knowledge of the needs and aspirations of his people or who is not blessed with a certain temperament foe bearing hardships for the nation etc. But there is something on which all of us would agree that it is a philosophy or an attitude that helps the people in achieving a common goal or destination by having a guide who can give directions to his people. In other words, a leader is a person who is having enough authority to drive others on his commands and directions. It is also be said that leader is the person having its followership because if there is no one who is following a person, the person cannot be granted the status of a leader in spite of all of his leadership qualities (Peter F Drucker; as cited in Mahatma Gandhi, 1982, p.1). Similarly, Warren Bennis has also defined a leadership as quality of knowing one’s own self along with having a vision for the sake of taking the people forward. Interestingly, he doesn’t consider it enough to have a vision but believes in its effective communication to the people to make them convin... ....org/history/gandhi/autobiography.pdf House, R. J. "A path-goal theory of leader effectiveness". Administrative Science Quarterly Vol.16: (1971) 321-339 Keshvan Nair. The code of silence. 1996. P. 35. Maury Jim. Thoughts on Leadership, from Warren Bennis. Leader Values. Optimal Solutions International. Web. 27 May 2015. http://www.leadervalues.com/Content/detail.asp?ContentDetailID=298 Mosby. Medical Dictionary, 8th edition. 2009. Elsevie Parel, A. J. Gandhi, M.K. Hind swaraj and other writings. 1997. Cambridge: Cambridge University Press Richard Attenborough. Leadership: Mohan Das Karam Chand Gandhi – Father of the Nation. Mahatma Gandhi. p.1. 1982. Web. February 07, 2011 from http://www.scribd.com/doc/27495243/Gandhi. Weber, M. ‘The Theory of Social and Economic Organization’. 1947. Glencoe: TheFree Press and the Falcon's Bring Press.

Light Essays -- Literary Analysis, Alcott

Louisa May Alcott was said to be â€Å"the pioneer in the delineation of sprightly young-girl life, brim full of animal spirits, yet overflowing with a desire to be true and brave and helpful†(Delamar 150). As a classic, inspiring author, Alcott is best known for her novels concerning poverty, family struggles to overcome obstacles, and female independence. Alcott incorporated these ideas through her works in Eight Cousins and Little Women. Even though Rose in Louisa May Alcott’s Eight Cousins and the March sisters in Little Women are brought up in different types of socioeconomic environments, they share common traits and themes, such as moral lessons, feminist ideas, and coming of age. The character Rose in Eight Cousins and Laurie in Little Women are similar in terms of socioeconomic societies, unlike the March sisters in Little Women who struggle to support themselves during the Civil War. After becoming a recent orphan, Rose was put into the care of several unknown family members, wealthy Scottish descents from Boston, engaged in the China trade. As an heiress, she was expected by her six aunts to attend â€Å"a fashionable finishing school† (Alcott 43) and learn the proper etiquette of a young elite lady. Although Rose is only thirteen, she is treated like an adult who drinks coffee daily and dresses in womanly fashions such as corsets, high heels, veils, and bustles. These high expectations cause Rose a great deal of stress which leads to long-term illness. Unlike Rose, the March family struggles financially. At one point, the March’s were wealthy, until Mr. March lost his job and joined the war in order to provide for his family. This monetary loss caused a major set back to the family and negatively impacts the four daughters, ... ...en, she marries John Brooke, conforming to society’s expectation of women. While her aunts persuade her to marry into wealth, Meg independently makes the decision that love is more important than money, from experiences with high society. Through this experience, Meg becomes more independent and accepts herself as who she truly is and values what she has. Similarly, Amy succumbs to peer-pressure among her classmates. Trying to be like the other girls and popular, she goes against her morals and boldly endures the negative consequences of her action of encompassing pickled limes. Once quitting school, Amy discovers the power women have and becomes a feminist. She travels to Europe to accomplish her desire to be an artist, considered rare for women during the nineteenth century. Amy follows her dreams and becomes a more assertive and independent â€Å"little women†.

Dante’s Allegory of Love in the Divine Comedy

The Meaning of Love through the works of Dante Lighter Devon Strand-Brown â€Å"O all ye whose intellects are sound, Look now and see the meaning that is hidden Beneath the veil that covers my strange verses:† (Inferno 9:61) Dante Lighter is indisputably the most famous Italian poet in history. His seminal work, The Divine Comedy still inspires 700 years after its writing, and has not yet yielded all of its secrets, though it is one of the most widely studied works ever to be written. The name â€Å"Dante† and that of The Divine Comedy are known the world over, but what of the man Dante? What of the allegory beneath his verses?The history of the Divine Poet, his life, his love and the mysteries of his great achievements are known to relatively few, compared to the number of people who have read the Comedy. My purpose here to open those doors to you, to give a taste of the lessons and mysteries of Dent's work, to give a glimpse of a man, famous in his time and forevermor e, and to recount the greatest tale of Love ever told. His definition of love may be the most potent and intricate definition ever described, told through four separate levels of allegory, culminating in the rise of the universal goal of Love itself.The Man â€Å"In that book which is my memory, On the first page of the chapter that is the day when I first met you, Appear the words, ‘Here begins a new life'. † (Volta) Dante was born in 1265, though the month is not known. His given name was Du- ranted Delhi Lighter, Dante being a shortened version which he himself, and subsequent -?2-? writers and translators would adopt. His family name Lighter comes form the Latin word ‘aligner', which can be translated to â€Å"winged. † Though it came from his father, it was originally passed from a mother, Algeria Loudhailer -? wife of Guidance Elise', founder of Florence -? to her son.Thus Dante can trace his lineage directly back to he founders of his beloved Florenc e. The root meaning of Durance (and Dante) is more obvious, enduring, as names were of the most importance in those days. Dante would be happy to know that he has far surpassed the destiny of an enduring name. His father was a man of finance, buying and selling property as well as lending money, something Dante later disapproved of and which found its way into his Inferno. His mother was also from a well respected Florentine family, the Bait. Her father Durance (whom Dante was named after) was a Judge at the time.Much of the Poet's history we can find in the Comedy because although it is the story of his enlightenment, it also tells the tale of his past. We see this with his mother, whom we find in the circle of violence in Inferno, for she committed suicide while Dante was still very young, somewhere between 1270 and 1275. After his mother's death, his father soon remarried and had two more children. It seems Dante had a good relationship with these siblings as he refers affectiona tely to a sister who visits him while he is sick in â€Å"La Vita Nova. These references require that I move ahead, to describe the works of Dante for it is especially through them that we learn so much of the man. I shall discuss The Divine Comedy at greater length in a future section. But as an overview it is the tale of Dent's Journey through Inferno, rising up through Purgatory, then finally moving through Paradise, guided -?3-? by his beloved Beatrice, with his pilgrimage ending with the vision of God. The other work that I shall mention often is â€Å"la Vita Nova†, The New Life, which is a compilation of poems, sonnets and stories from throughout his life.It particularly focuses on his love for Beatrice which pervaded his life from the age of nine until he died at fifty-six. At this time Florence was a burgeoning hub of trade and culture, becoming one f the richest and most powerful cities in Italy, and even in Eastern Europe. However the city was divided along many l ines; there was a split between the populace and the gentry, yet also among the gentry. The largest of these rifts was that between the Gullah, whom Dante supported, and the Gibberellins.Once the Gibberellins were expelled from Florence another divide occurred; Between the Black Gullets, those who supported the Papacy, and the white Gullets, who wished for more autonomy from Rome. With the support of Pope Boniface the Black Gullets took control of Florence, destroying many White Gullah homes and exiling Dante. If he were ever to return to his beloved Florence to â€Å"worship at his baptismal fount† he would suffer death by burning. Following his exile, Dante wandered from city to city. Reigniting his intellectual spirit in Bologna and moving as far field as Paris.Finally he settled in Raven, a small city not far from Florence. It is during this time that it is believed that be began his masterpiece, The Divine Comedy. It was completed Just prior to his death, sometime betwee n 1318 and 1321. The final Canto of Paradise was said to be lost for months following Dent's death, until in a dream, one of Dent's sons saw his father ho showed his where the final pages were hidden. His son, Pitter, searched for the pages and found them Just where -?4-? his father had indicated, and so, Just as a dream had begun the Comedy, a dream completed it.The Divine Comedy tells the tale of the Poet, Dante, and his Journey down into Inferno, up mount Purgatory and into Paradise where â€Å"the Love that moved the sun and the other stars† is finally revealed to him. It is divided into three canticles, Inferno, Purgatorial and Paradise. Each canticle is then further divided into 33 cantos, similar to chapters, except for Inferno which has a single introductory canto bringing he total to 100. Each canto is further split into three line sections, each line with a precise 11 syllables.This story fictively occurs in the year 1300 and Dante is faithful to this date, only inc luding people who had died before 1300 in any level of the Comedy , though often referencing those who are still living. Inferno, the first volume, is by far the most famous and widely read of the three. It begins: â€Å"Midway upon the Journey of our life. † Simply this first line gives premise to the Comedy being both a literal Journey through the levels of the earth but also a curative voyage through the life of a person, in this case Dante, though it can be expanded to include a more universal version of life.Through inferno Dante is guided by another great poet, Virgil, who, because he is a virtuous infidel has been confined to neutrality, the first level of hell. But who has been tasked by Beatrice to guide Dante down through Hell and up Mount Purgatory. Their Journey through Hell takes them down through all nine levels, on each level pausing to watch the punishment of the shades and sometimes speak to them, talking of their crimes or of the goings on of the living worl d. Finally in the lowest -?5-? bevel -?Judea, reserved for the traitors-? gravity reverses and they climb back out of the pit of inferno to once more observe the stars.At the base of Mount Purgatory seven As are inscribed on Dent's forehead. Each standing for Peculate or sin in Latin. As they pass through each of the seven levels of purgatory, each P is purged from his forehead. For Purgatory is not a place of perpetuity as many believe; it is a place of purging sins as its name suggests. Virgil continues as his guide and offers advice and answers to his questions along the way. However on questions of faith he defers to Beatrice, asking Dante to await her for his answer. At the peak of Purgatory is the Garden of Eden, earthly paradise.Here in paradise Dante is in awe of the heavens above him, while Virgil is reserved and distant. Dante turns away from his guide to gaze at four bright stars above him and when he looks back Virgil is gone. In his place stands Beatrice. From the Garde ns of Eden Beatrice leads Dante into Paradise, the nine circles of heaven. In each of these circles Dante speaks with different figures, Roman Emperors, Saints and Apostles prominent among them. And Just as Virgil taught Dante of life and the plight of souls in Inferno and Purgatory, so Beatrice teaches him of divinity, irate and all the levels of beatitude.One of the people he meets is his great great grand-father Guidance, who tasks him to compose a poem which â€Å"puts aside all falsehood. † He agrees, and is also tested by the apostles Peter, James and John before his can enter the Empyrean, the highest level of Heaven. It is here in the amphitheater of the Empyrean that Dent's Journey reaches is culmination with his rapturous vision of God. -?6_ â€Å"But my own wings were not enough for this, Had it not been that then my mind there smote A flash of lightning, wherein came its wish. (Paradise 33:139) Dante and Love But now was turning my desire and will, Even as a whee l that equally moved, The Love that moves the sun and the other stars. † (Paradise 33:142) Perhaps it is a sad testament to the human race, that the greatest love stories are those of unrequited love. Mark Antonym and Cleopatra, Romeo and Juliet, Dante and his Beatrice. Dante first glimpsed Beatrice at the age of nine. Of that sight he says, â€Å"At that moment, I say most truly that the spirit of life, hath its dwelling in the secretes chamber of the heart† (Nova).He goes on, describing her as a deity, as something other than a worldly woman. From that moment onward his life was drastically changed. â€Å"l say that, from that time forward, Love quite governed my soul† (Nova). His love was torrential, yet when he saw her he kept it in check. For nine years after that first sight they never spoke. He would watch her in her family's small church of Santa Margarita, sitting some ten feet behind her, imagining her as an image of perfection, but never speaking. It i s difficult to imagine such love with so little contact.He was enamored with her but also with his imagination of her. It was not until nine years later to the day,that a word was exchanged between hem. While passing in the street, Beatrice â€Å"by her unspeakable courtesy' greeted him. He -?7-? remembers she was dressed all in white, unlike the red he first saw her in, white being the color of virginity and divinity. In each of his earthly visions of her, she is described using images and words normally reserved for Christ or God himself. Dante was taken by the sound of her voice: â€Å"For she doth make my veins and pulses tremble. He went directly home and fell asleep and dreamed that Love came to him. Throughout the Vita Nova, Love comes to Dante, taking a different human form each mime, and speaks to him, offering advice and admonitions. Love appears to him multiple times and each time represents a shift in Dent's interactions with Beatrice. Dante makes the mistakes of many lovers as he is so overcome by Beatrice. In an attempt to hide the true object of his love, he begins to use what he calls a â€Å"screen- lady,† a woman toward whom he outwardly directs his attentions so as to divert attention from Beatrice.This obviously backfires and Beatrice, as they pass again in the street, withholds her greeting. Dante is grief-stricken and, following another vision of love decides to write directly to her. These poems and sonnets received praise in Florence, and were read around the city in small poetry readings, increasing Dent's stature as a great writer even in his time. However life for Dante soon takes another enormous turn, with the death of Be- iatric. She is said to have died in June, 1290, a date with â€Å"the perfect number nine† having been completed â€Å"nine times† according to the Syrian Calendar. (Lewis).Dante is so overcome that he cannot put words to the event. After compiling the Volta Nova he resolves not to write of Beatrice again, until he can â€Å"say of her what was never said of any other -?8-? Oman. † It is from this wish that springs the greatest tribute to human love ever created, La Comedic. In Dent's Journey Beatrice is his primary guide. Though Virgil guides him through two levels of the afterlife, it is Beatrice who sent Virgil to assist Dante and Beatrice whom he follows through paradise and Beatrice who teaches him the most of love. She acts as a personal representation of Christ.We can see this in many aspects of Dent's description of her -? her appearance, the events around her and her relation to the number nine. The number nine can be seen as a reference to the divinity of he holy trinity, and it is used in reference to Beatrice to reinforce her power as Dent's connection to the divine. In the ninth canto of both Inferno and Purgatory Dante enters the city of Dish and then the Gates of Purgatory -? the two most significant entrances in their respective canticles. Yet i n Paradise, in the ninth canto, Dante passes from the circles of Venus unto the level of the sun.This may seem insignificant yet it signifies the passage from earth to heaven. It is not until the level of the sun that all earthly woes and pains are stripped away. This ninth canto is significant as it also demonstrates the divinity of the number, yet interestingly it also illustrates the divinity of love as it is in this canto that Dante meets three great lovers; a mistress, a bishop and a harlot. Not exactly the lovers you would expect, but these references, as well as their relations to nine and their positions in paradise, serve to highlight the significance of human love in order to ascend further into heaven.This is Beatrice role, as she serves both as the object of human love and the transcendent divine guide. Other parallels between Beatrice and Christ can also be drawn-? one being her -?9-? appearance in heaven, she is proceeded by Giovanni Primeval, as Christ was similarly p roceeded by John the Baptist. Here we can see Dent's literary playfulness with â€Å"Giovanni† as a feminine version of John and Primeval as an anagram meaning â€Å"Prima Vera† which literally translates to â€Å"will come first. † Beatrice also descends to Inferno to summon Virgil as Christ did to bring salvation to humanity, Virgil will be Dent's personal salvation.Dante even recognizes this in Paradise 30:80 saying â€Å"Who deigned for my salvation to leave your footprints in Hell. † Lansing also points out a parallel between the names of Christ and Beatrice: The reference to her nickname, â€Å"Vice,† in Paradise is a way which must evoke the abbreviations of Christ in manuscripts: â€Å"Be† (beat, â€Å"blessed†) and â€Å"ice† (ICC=less Crisis=Jesus Christ. )† Despite her obvious divinity, Beatrice is also a physical woman, as we see in the Volta Nova, who inspires love and desire in Dante.Thus she fills both role s, as the method of divine salvation and also as the guide to human love. Both of which together create natural love, something I will go into greater detail about at a later point. Dante strives, however, to remove any sexual attraction to Beatrice both for the deader and for himself. And for the most part he is successful. By removing her erotic nature in his writing, he reclaims some power from her. As we see in the Vita Nova, she holds great power over him; she has the power to send him into fits of worry or anguish, simply with a laugh or refused look.In De-redirecting her, we see Dent's attempt to retain his own power over human love, while relinquishing his power over natural love, allow-? 10 -? inning her to guide and teach him of its natural flow. As both the Comedy and the Nova are little more than an homage to Beatrice, it is interesting to see that Dante toeholds this one form of power from her, that of sexual power. It could very well be that he is attempting to protect either himself or Beatrice from the sin of lust, yet we also find a seductress and a harlot in heaven, who further inform Dante on love.It may also be the case that Dante is protecting himself from the worldly effects of Beatrice. The vast majority of his writings about her are of his perception, his fantasy of her. Their physical contact was negligible and by removing the sexual discourse between them, the Beatrice of Dent's pages is fully from inside the Poet. The Beatrice we know is Dent's fantasy, a character within his own character. It is her spirit, not her body, that guides Dante. Dante may also shrug off this worldly influence because he has a further lord, one to whom he answers whole-heartedly, and for whom Beatrice is the perfect guide.That lord speaks to him in the third chapter of the Vita Nova saying â€Å"I am your lord. † That lord is Love. Allegory The term allegory literally means the â€Å"hidden meaning†, it derives from Greek â€Å"al- SIS† (other) and â€Å"Georgia† (speaking), â€Å"other speaking. † The Divine Comedy is rife with it. Each canto is filled with political moral and divine statements. Allegory takes four forms in The Divine Comedy modeled after biblical exegesis (interpretation of biblical style); Literal (historical), Allegorical (Typographical) , Moral and Angelical. These four forms follow the interpretation of scripture in the Middle Ages.In scripture, the historical meaning is -? 11 what is described as fact. It encompasses the people, places and events represented and shows them historically as things that have occurred. The second meaning (the Allegorical/ Typographical) is that of personification and representation, a person may represent a sin or a virtue. The moral meaning in the scripture is literally represented by Christ. â€Å"So far as the things done in Christ, or so far as the things which signify Christ, are types of what we ought to do, there is the moral sense. † (Aquinas).The final meaning, the angelical is the hardest to pin down. This is because it is the broadest of the terms; it is the meaning which expands outwards and offers what the writer or reader considers an â€Å"eternal† meaning. The angelical represents the realm of the Gods, thus making it eternal, â€Å"But so far as they signify what relates to eternal glory, there is the angelical sense. † (Aquinas) Neither the bible nor The Divine Comedy possess all four of these elements at all times however. Writing is often adorned with â€Å"historical buttresses and adornments†, events that hold no further meaning than the literal.Different verses and cantos hold some of these meanings, some are personified in particular figures, others can only be found by evaluating the entire trajectory of the Comedy. These four meanings overlap, come and go, are sometimes clearly visible and some are lost forever in the annals of time. Other than the historical, the allego rical (typological) is the most prevalent form of meaning throughout the Comedy. Because all allegory is dependent on interpretation, the meanings put forth here are those that I deem to be correct, although there are likely other interpretations or even contrary views.As Dante followed many of the teachings of Thomas Aquinas, the following is the most prevalent definition for the typographical (allegorical) meaning in -? 12 -? the Comedy: â€Å"Whereas in every other science things are signified by words, this science has the property that the things signified by the words have themselves also signification† (Aquinas). This is the definition Dante would have followed in instructing his own allegory. Dante borrows heavily from Thomas Aquinas and Aquinas' Theological for his moor- al theory and view of God, theology and use of allegory.As far as the view of God, Thomas Aquinas believed that there are two apices of any object or subject (their existence and their essence), exce pt for God. Aquinas preaches God as simplicity. God is simply essence, for his/her/its existence is its essence. This essence to Dante is Love; all other objects are not independent of love and thus God, who is the representation of pure love, is the only individual being in existence. â€Å"God is identical tit Just one in- divisible thing, but that one thing has different effects and appearances† (Stump).Dante also enumerates the importance of each level of meaning, saying in his work Conviction, â€Å"l shall always first discourse upon the literal meaning of each cannoned, and after that I shall discourse upon its allegory, that is, the hidden truth; and I shall sometimes incidentally touch upon the other senses (angelical), as the place and the time make appropriate. † This leads us to believe that the historical (literal) meaning is the most important, followed by the allegorical. The angelical seems to e a natural uprising of this discourse of both the literal a nd the allegorical.The moral finds its way into the literal meanings as well, since Christ is synonymous with morality, and the bible and Beatrice are taken as fact. Throughout the Comedy, Beatrice and her compatriots teach Dante many -? 13 -? things, most of these may be interpreted as the moral allegory. What must also be understood is that the literal meaning will always be present, and for the most part the allegorical will be also. But that Allegory will take one or more of its three forms, typographical/allegorical, moral or angelical. He gives an example of this four-fold allegory in a letter sent to Gangrened of Verona.The Allegory of Love â€Å"Love, which pardons no beloved from loving, took me so strongly with delight in him That, as you see, it still abandons me not†¦ † (Nova) As we begin to look at the many meanings of love in The Divine Comedy, the three literal forms we shall examine are 1) love as an emotion, 2) love as Beatrice, and 3) Love as a figure a nd as God. First let us examine Dent's belief of love. For Dante, love was the driving force of the universe. It causes souls to rise to heaven or fall into hell. It literally set the stars in motion. All sinners and all saints had their actions based in love, for better or for worse.Love causes all movement in the universe, whether for the sinners to ascend because of love for God or for the blessed to descend in order to save a soul. Just as Beatrice descends to bring Dante to the Empyrean, it also causes the angels to move in their circles around God, thus creating the movement of the heavens. However, love also has a darker side. According to Dante, love is also the root of sin. He takes this view from William Perusals' analysis of the Sustaining Sins; Pride, Envy, Wrath, Sloth, Avarice, Gluttony and Lust. These sins can be divided into three cat- Georges according to love; insufficient, disordered and excessive.Insufficient love takes the form of sloth, disordered love manifest s in pride, new and wrath (as these three are misguidedly directed at an external object), and love in excess creates avarice, gluttony and lust. These are all forms of what Virgil distinguishes for Dante as rational love, separate from natural love which I shall discuss at greater length later. Rational love takes many forms, both positive and negative. If unbalanced or per- averted, it is the basis of all sin, but it is also that which leads Dante towards natural eve. Dent's earthly love for Beatrice could be described as courtly love, a popular subject of the times. Courtly love can be defined as desire and longing for someone, and personal suffering by loving this person† (Du France). This definition as we can see applies perfectly to Dent's relations to Beatrice. It is this earthly relationship that begins Dante on his path to salvation and enlightenment, thus it is this form of rational love that sets Dante on his path. At the beginning of The Divine Comedy, the Pilgrim believes this love for Beatrice is pure and correct. Yet through his discussions tit Francesca De Riming, and then Virgin's discourse on love in purgatory, Dante begins to doubt his assertion.Finally upon his meeting with Beatrice in Paradise he repents for the earthly love he paid her and accepts the purity of natural love, the love that will guide him through paradise unto the Empyrean. Natural love was considered by Dante to be the love of and for God. It is the pure force which motivates the universe and binds it together. It is the purest form of this love that Dante is striving for throughout the Comedy. Through hell and purgatory, he is strip-? 15-? inning away the sins and tarnishing of sin, and in paradise he is being prepared, level by level, by Beatrice, for the experience of Pure Love.Virgil, who has not entered heaven and has thus not experienced natural love, can only describe to Dante human love and the perverted shapes it takes in sin. The constant motion of natural love is moving toward a goal; that goal is the attainment of the realization of place and of perfection for every object and creature in the world. â€Å"As the specific capacity of anything is actualities by being exercised, the nature of that thing is progressively completed or perfected, according to Aquinas† (Stump). It is by loving and being love that this process is perpetuated and thus moves closer and closer to a perfect equilibrium.This ultimate beatitude is inconceivable to the human mind, however, and thus we give it a humanly understandable form, that of God. Yet Dante is very careful not to name God as the center of the Empyrean; the highest level of heaven is occupied by Love. Virgil describes how love takes three stages to develop. The process begins with awareness of another object or person. This perception is offered to the soul to Judge whether this object is beautiful and shall bring happiness. If it is deemed good, then eve develops and takes the form of an inclination or attraction toward that object.Until love develops, the force driving this process is human will and it is thus that love can be misguided, as the will can make mistakes and lead an individual toward sin. If we take love as the attractive force that moves the universe, then the ultimate goal of life is also love, but love in equilibrium. This is why perverted, insufficient and excessive love are sins, for it is balanced love, natural love that we are striving toward. We cannot, however, achieve union with natural love simply by following others'

Okonkwo Character Analysis

To help you, my dear clan, learn the importance of not letting your personal flaws be the reason for your downfall, I must tell you about our former clansman, Okonkwo. I watched as his weaknesses and pride brought him down to the point of suicide, which is the escape of cowards. He killed himself because he felt like he had nothing left to live for. Instead of facing a new, changed life in Umuofia, he escaped by taking his own. Before his downward spiral, Okonkwo was known as a self-determined and hard-working man who worked hard to earn many titles amongst our clan.Listen as I explain Okonkwo’s character. Okonkwo’s father was Unoka, who was loved by all amongst the clan. â€Å"He was tall but very thin and had a slight stoop. He wore a haggard and mournful look except when he was drinking or playing on his flute† (4). Unoka was lazy and had many debts that he didn’t pay off yet he was loved. Okonkwo grew up observing his dad mettle through life by living off others. â€Å"But Unoka was such a man that he always succeeded in borrowing more, and piling up debts† (5).Okonkwo watched his father be pitied because he couldn’t feed his wives or children. At his death, Unoka had no titles and he was still greatly in debt. â€Å"Any wonder then that his son Okonkwo was ashamed of him? † (7) Due to his father’s example, Okonkwo knew he wanted to achieve great things and he was determined he would become the opposite of his father. This aspect of Okonkwo’s character leads him to success. Okonkwo succeeded materially in our clan. One particular point of recognition happened when he fought Amanlize the Cat.Amanlize the Cat had not been defeated in seven years, and so when Okonkwo defeated him at the young age of eighteen he became well known throughout our nine villages. Okonkwo continued to grow into a great man. â€Å"He was tall and huge, and his bushy eyebrows and wide nose gave him a very severe look†¦. When he walked his heels hardly touched the ground and he seemed to walk on springs† (3). With his hard work he earned three wives, found financial security, ran a successful yam farm, produced multiple children, built several huts, and received many titles.Unfortunately, as sometimes happens with great men, Okonkwo had flaws. He had a temper, no self-control, he was over confidant, and he beat his poor wives. His most serious flaw was his pride. Just as he’d hoped, Okonkwo became the total opposite of his dad who had been a lazy debtor. His dad had also been a peace loving and kind man who was loved by all in our villages and Okonkwo could not say the same. An instance where Okonkwo let his pride cloud his judgment is when he participated in the killing of Ikemefuna, a boy he was raising as his own son. Okonkwo thought of Ikemefuna as the perfect son.Okonkwo liked that his biological son Nwoye and Ikemefuna were getting along because he was afraid of Nwoye’s lack of manliness. Okonkwo felt that Nwoye hanging around Ikemefuna would make him more of a man. Trouble arose when the Oracle in his village decided that Ikemefuna had to die because he was interfering with Okonkwo and his oldest son, Nwoye’s, relationship. Okonkwo was warned in advanced not to participate in the killing of Ikemefuna, but he did anyway because he was afraid of what the other men in the tribe would think of him if he didn’t participate.Okonkwo was too worried that he would be viewed as weak. His pride drove him to help kill a boy he loved as a son and this greatly harmed his relationship with Nwoye. Okonkwo was also too worried about Nwoye becoming â€Å"womanly† like his father, Unoka, and he didn’t realize how he was hurting his family with his violent and stubborn nature. Later on there was an instance when Okonkwo’s carelessness leads him to accidently kill a woman from our village.The custom in our village is to exile a man for seven years for such a crime and therefore Okonkwo went to his mother’s village, Mbanta. As the elders said, if one finger brought oil it soiled the others† (106). After seven long years of exile in his mother’s village, Okonkwo returned to his village eager to start his life by building more huts and showing his wealth. When Okonkwo came back to Umuofia he expected his wealth to place him in the same circumstances as before his exile. â€Å"The clan had undergone such profound change during his exile that it was barley recognizable† (150). You see, the missionaries had come into the church and attracted many of our people to it.This changed our clan remarkable with all the new people. â€Å"He knew that he had lost his place among the nine masked spirits who administered justice in the clan† (140). In addition to the new religion that is to this day so different and odd to us, they built a government. In his pride, Okonkwo figured that he could go to war with the new white people, but this turned out to be harder than he expected. Once he went to war he kept being defeated and eventually Okonkwo’s anger got the best of him and he actually killed another man. It was useless.Okonkwo’s machete descended twice and the man’s head lay beside his uniformed body† (168). Okonkwo felt worthless, like his life meant nothing any more. Instead of facing the new changes in his clan, he went the cowardly way out through suicide. This man of our clan who had worked hard to become great in order to overcome the shame from his childhood and who had built wealth in our village allowed his pride to be his ruin. What Okonkwo did to end his own life was incredibly selfish and he took the coward’s way out.He killed others in his violent temper, he killed a boy who was like a son to him, and in the end, he killed himself. The only last noble thing Okonkwo did was try and stand up to fight and save our clan from being taken over by the white people. Okonkwo was a fighter and a warrior, but in the end everything he worked for was meaningless. Heed my warnings. Learn from your past to improve your future, but don’t allow your past to cloud your judgment and make you too prideful about your own negative qualities.

The Benefits of the Education are Depended on Size Classes Essay

The Benefits of the Education are Depended on Size Classes - Essay Example The more learning that is taken on within their stride, the better they become. This is a sign of learning something new everyday at a very little cost which is all the more welcome. It is a fact that small size classes are deemed as very healthy for the sake of any society in the world and there are no parallels as far as this understanding is reached upon. The society takes the benefits in such a situation and nearly everyone who is a part of it will benefit in one way or the other. When one focuses on how Japanese educational system works, one wonders if they follow the same pattern. On a closer look, there is research that supports the basis of large size classes within Japan which should speak what has been written earlier in terms of the disadvantages. Yet this is not true because Japanese are known to be more resilient in terms of their educational settings, which allows proper emphasis on education on the part of the students. The students are made to work in groups, which de dicates equal time and energies towards studies and thus no one feels left out of the related equation. It makes their tasks easier and the learning is immense under such scenarios (Tyre, 2011). As compared to Americans, Japanese are more focused and involve their own selves within education so that they can get the best results out of what they have studied for their long term success. In the end, it would be fair to state that both the STAR and SAGE studies have accounted for a number of benefits for the students from a global perspective. These benefits follow the dictum of providing health and happiness for the society as a whole. The students have taken on the advantages which is actually a good point if seen within the... This paper approves that the discussion centers on the aspect of the society, small size classes are able to support the poor students much better in terms of their socioeconomic living. It allows them to learn more and gain assistance from the educational domains because high costs of living are coming about with the passage of time. The more learning that is taken on within their stride, the better they become. This is a sign of learning something new everyday at a very little cost which is all the more welcome. It is a fact that small size classes are deemed as very healthy for the sake of any society in the world and there are no parallels as far as this understanding is reached upon. The society takes the benefits in such a situation and nearly everyone who is a part of it will benefit in one way or the other This essay makes a conclusion that it would be fair to state that both the STAR and SAGE studies have accounted for a number of benefits for the students from a global perspective. These benefits follow the dictum of providing health and happiness for the society as a whole. The students have taken on the advantages which is actually a good point if seen within the correct settings. Since the Japanese students are seen as helping one another, this point has become even stronger in terms of its collaboration debate. These are some of the more important details that have come about as far as knowing how size classes have affected the students in different parts of the world. What remains to be seen is which model is being followed to bring about prosperity in terms of education worldwide.

Dance history Assignment Example | Topics and Well Written Essays - 500 words

Dance history - Assignment Example Sergei Diaghilev, the Great Russian impresario, is responsible for the commissioning of avant-garde musical artists into creating designs stage and costumes. He first settled in France where he formed a dance company called ‘Ballet Russe de Monte Carlo’ (Carter 17). His ballet dance is presented as one of the initial moves that avant-garde composers, writers, and painters join forces in creating a ballet. The revelation in this case is that Cunningham is both a great collaborator and a terrific partner in dancing. Further, the collaborative process continues changing as he ages and the physical limitations hit in (Carter 34). Other than originating their choreography through living and breathing dancers, they formulate dances through the manipulation of onscreen and computer-generated individuals. Many audiences feel that such a retreat across the direct involvement adds a level of difficulty to Cunninghams ballet collaborative process. In the original Rite of Spring by Nijinsky, the primary emphasis of the classical ballet dancer is on aspects of legwork even as there is simultaneous maintenance of upright carriage. For Cunningham’s Camera Beachbirds, the aspect begins presenting how Cunningham is utilizing elements regarding the expressive and the classical. Cunningham broadens this scope of expressive upper body of the dancer while integrating the motions with the footwork for classical ballet dancers. In Rite of Spring by Tero Saarinen, a number of dancers are within their initial studio areas as they turn or jump in place. Subsequent dancers run in alternate directions based on the stationary dancers while running and skipping across studio space (Carter 23). Within a number of specified points, there are elements of dancing looking similar to the previous pirouettes. In other of his pieces, Cunningham’s dancers develop extensive lateral movements that cover major areas for stage space as they both walk and run. Cunningham also

Mission Statement Essay Example | Topics and Well Written Essays - 1000 words

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